| 233a. The Easter Festival in relation to the Mysteries: Lecture II
20 Apr 1924, Dornach |
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| For it is an urgent necessity that there should be a place on Earth where the Mysteries can once more be founded. The Anthroposophical Society in its further progress must become the path to the Mysteries renewed. This will also be our task: out of a right and true consciousness to cooperate towards this end. |
| 233a. The Easter Festival in relation to the Mysteries: Lecture II
20 Apr 1924, Dornach |
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The original idea of any sacred festival is to make the human being look upward from his dependence on earthly things to those things that transcend the Earth. The Easter Festival especially can bring these thoughts near to man's heart. During the last three, four or five centuries humanity of the civilised world has undergone an evolution of soul and spirit which led man farther and farther away from the thought of his connection with Cosmic powers and Cosmic forces. Man became more and more restricted to those relationships alone which hold good between himself and the Earthly powers and forces. Indeed it is true to say that by the methods of knowledge recognised today, no other relationships can be considered. If a man who stood near to the sanctuaries of Initiation in pre-Christian times, or even in the first centuries of Christianity, could learn to know the character and trend of our present scholarship—if he could approach it with the mood of soul belonging to that ancient time—he simply would not understand how it is possible for man to live without a consciousness of his non-earthly, cosmic relationships. I will now give a brief outline of certain facts, the precise details of which you will find in one or other of the Lecture-Courses. The purpose of these present lectures is to bring especially the Easter thought near to our hearts; I cannot therefore go into all the details now. We may transplant ourselves in thought into one of the many different religious systems of antiquity. Take for example the one that is least far removed from the modern man—the Hebrew or Jewish system of religion. In such religious systems of antiquity—in so far as they are monotheistic—we shall find the reverence for, the worship of, the One God. It is the Divinity of whom we speak in the Christian conception as the First Person of the Godhead—the Father God. Now all those religions in which this conception of the Father God was living were more or less aware—the Priests indeed were fully aware—of the connection of the Father God with the cosmic Moon forces—with all the forces that now flow down from Moon to Earth. Scarcely anything is left today of that ancient consciousness of man's connection with the Moon forces—unless it be the imaginative inspiration which the poetic mind still feels that it receives from thence, or again in Medicine the counting of the embryo period as ten lunar months. But the older world-conceptions had a clear consciousness of the fact that when man descends to this physical life from the spiritual world where he dwelt as a soul-spiritual being in his pre-earthly life, the currents of those forces and impulses which proceed from the Moon pour through him. To understand what shapes him in the fulness of his life—what lives in him as the forces of nutrition, breathing and the like, in a word, as the general forces of growth—man must look not to the earthly forces but to forces from beyond the Earth. Man can indeed become aware, if he considers the matter truly, how the earthly forces are related to himself. If we did not hold our body together by forces from beyond the Earth—if our body did not receive its form through these what could the earthly forces do to hold our body together? The moment the forces from beyond the Earth have left it, this body is indeed exposed to the earthly forces. Then it disintegrates and dissolves; it becomes a corpse. Earthly forces can only make a corpse of man; they cannot form and mould him. But there are other forces in him which lift him out of the earthly realm. These forces make him a connected organism, a connected form and figure within the earthly realm between birth and death. They prevent him from falling a victim to the forces which take hold of him in death and destroy him. Throughout his earthly life they battle against the destruction of his form; indeed they must be battling all the time. For these forces man is indebted to the Moon influences. While on the one hand, therefore, we may state this somewhat theoretic truth: The Moon forces contain the formative principle of the human body, we must realise on the other hand that the ancient religions revered and worshipped in these forces which guide man, so to speak, through birth into this physical existence, the forces of the Divine Father. The Initiates of the ancient Hebrew culture were clearly aware that the forces which guide man into this Earth-existence, which maintain him here, and from which—as physical man—he escapes when he passes through the gate of death, stream from the Moon. To love the Divine Father forces with heart and mind, to look up to them and to express this reverence in sacred ritual, in prayer and praise—such was the content of certain monotheistic religions of ancient time. But the old religions were more consistent than we generally think. History describes these things quite wrongly for it only has the outer documents to go upon and is unaware of what can be observed by spiritual sight. The religions which looked up to the Moon—to the spiritual Beings in the Moon—belonged really to a later period. The primeval religions possessed not only this conception of the Moon, but also had a clear idea of the Sun forces; nay more (as we may also mention at this point) of the Saturn forces. Here indeed we are entering a realm of history for which no outer documents exist. For the time we are now considering lies many thousands of years before the founding of Christianity. These are the epochs which I called in my Occult Science, the ancient Indian (since one must have a name and the civilisation of that first epoch existed on the soil that afterwards was India), and the ancient Persian. In those old civilisations man's evolution was very different from what it was in later times. Moreover his religious beliefs depended on this unfolding of his life. Our lives today (and it has been so for more than two thousand years) unfold in such a way that a certain break in our earthly life and development escapes our notice. Indeed it is scarcely perceptible today. The inner change that takes place in the human being about the thirtieth year of life remains for present day humanity to a large extent in the subconscious, in the unconscious. But it was very different eight or nine thousand years before the Christian era. In those epochs man developed until about the thirtieth year of his life so that one might call this development continuous. But in the thirtieth year a far-reaching metamorphosis took place in him. I will describe it in a radical way. I admit it is radical, but this way of expressing it will serve to characterise the facts. The following thing might well happen in those olden times. Before the thirtieth year of his life a man had made the acquaintance of another man, say, three or four years younger than himself. His friend would therefore undergo this metamorphosis about the age of thirty, a little later than he did. Now if the two had not seen one another for some time and then met once more—I am speaking in modern terms, which make it seem still more radical—it might well happen that he who had undergone the change, being addressed by the other, simply failed to recognise him. So deeply was the memory transformed. The small communities of those very ancient times were connected with the Mystery Schools, and in these the lives of the young folk were registered. For they themselves, in that they underwent this revolutionary transformation, forgot their earlier life. They had to learn over again what they had experienced in life until about the thirtieth year. So they became aware, ‘In my thirtieth year I have become an altogether different man. I must go to the Registry (a modern expression, needless to say!) to learn what was the content of my life before this change.’ Yes, indeed it was so! And in the instruction which they then received, they learned that it was the Moon forces which had worked upon them exclusively until the thirtieth year, and that then the Sun forces had entered into the development of their earthly life. The Sun forces and the Moon forces work upon man in very different ways. What does the man of today know of the Sun forces? He knows only the outward and physical aspect. He knows—forgive me saying so—that the Sun forces make him perspire, that they make him warm. He knows, maybe, one or two other things. We have Sun baths and the like. Thus certain therapeutic properties are known and so forth; but all these ideas are quite external. The man of today simply does not conceive what the forces that are spiritually connected with the Sun are doing with him. Julian the Apostate, the last of the pagan Caesars, had still received instruction in what was left of the ancient Mysteries, concerning these forces of the Sun. He wished once more to make this knowledge an influence in the world and for this very reason was murdered on his campaign into Persia. So strong were the powers in the first Christian centuries which intended that all knowledge of such things should disappear. No wonder if this knowledge cannot be attained in any ordinary way today! Now the Moon forces represent that element in man which determines him, which fills him with an inner necessity, so as to act according to his temperament, his instincts, his emotions—in a word, according to the whole nature of his physical and etheric bodies. It is the spiritual Sun forces, on the other hand, which free him from this necessity. They as it were melt away the forces of necessity within him. Through the Sun forces, man becomes a free being. In those ancient times the two things were sharply separated from one another in man's development. In the thirtieth year of his life he became a Sun man, that is to say, a free man. Until the thirtieth year he was a Moon man, that is to say, an unfree man. Today these things merge into one another. Today the Sun forces work already in childhood alongside of the Moon forces, and the Moon forces work on into a later age. Today, therefore, Necessity and Freedom are mingled; they work into one another. But it was not always so. In the pre-historic times of which I am now speaking, the Moon influences and the Sun influences were sharply separated in the course of human life. Hence in those olden times it was said: Man is born not once, but twice. This was said of the great majority of human beings—and it was considered abnormal, pathological, if a man did not experience this fundamental metamorphosis of life at the age of thirty.—This second birth was the Sun-birth of the human being; the first was called the Moon-birth. And when in the further course of evolution this Sun-birth became less clearly noticeable, certain exercises, sacred rituals and actions were applied to those initiated in the Mysteries. Thus the Initiates underwent what was no longer there for mankind in general. They were the “Twice-born”. We can still find the term “Twice-born” in oriental writings, but the expression is already a derived one. Indeed I would like to ask any Orientalist or Sanskrit scholar (I believe our friend Professor Beckh is here and you may ask him whether these things are so according to his special studies)—I would like to ask any Sanskrit scholar whether modern scholarship can explain in clear terms what the expression “Twice-born” signifies. No doubt there are plenty of formal explanations, but of the substantial meaning of the term our scholars are quite unaware, for it can only be known by those who are aware of the real facts of life from which it is derived. Spiritual research alone can give information on these matters. But when spiritual research has had its say, I would ask any open-minded scholar who knows the available documents—who knows all that external scholarship can lay hands upon: Does not external scholarship subsequently confirm, piece by piece, the researches of spiritual science? It will do so indeed, if things are only seen in the true light. But I have to draw attention to matters which must take precedence of all documentary research; for by documentary research alone one simply cannot understand the life of man. Thus we look back upon an ancient time when they spoke of a Moon-birth of man as of his creation by the Father. And as to the Sun-birth, they knew that in the spiritual rays of the Sun, the power of Christ the Sun is working; and this is the power that makes man free. Think for a moment: what does the spiritual Sun force bring about? We owe it to the Sun that we, as human beings upon Earth, are able to make anything of ourselves. We should be strictly determined, placed in an inexorable Necessity—a Necessity not even of Destiny but of Nature—if the liberating forces of the Sun, the impulses that melt away Necessity, did not come near to us. In those ancient world-conceptions, as man gazed upward to the Sun he was aware of these things. “This Eye of the World, whence radiates the power of the Christ, this Eye of the World brings it about that I must not remain subject to the iron Necessity with which I was born out of the Moon forces. I need not remain, my whole life long, a human being evolving by Necessity. These Sun forces—these forces of the Christ, looking down upon me through the cosmic Eye of the Sun—bring it about that I, during my earthly life, by my own inner freedom, can make of myself something which I was not yet by virtue of the Moon forces when they placed me into this earthly life.” The consciousness in man that he could transform himself, that he could make something of himself—this was attributed to the Sun forces. In parenthesis and for the sake of completeness, I will add that they also looked up to the Saturn forces. In these they recognised all that maintains the human being when he passes through the gate of death—that is to say, when he undergoes the third earthly metamorphosis. Birth: the Moon-birth second Birth: the Sun-birth third Birth: Saturn-birth, earthly death In earthly death man was maintained by the forces holding sway at the outermost limit (as they conceived it) of the planetary system of the Earth—the Saturn forces. The Saturn forces hold man upright and carry him out into the spiritual world, preserving his being as a connected whole when the third metamorphosis takes place. Such indeed was the world-conception of an olden time. But humanity evolves. There came a time when the ancient knowledge of how the Sun forces work upon man, was preserved only within the Mysteries. And it was preserved longest of all in the medical departments of the Mysteries. For the same Sun forces which in the normal course of man's development give him his freedom—give him the opportunity to make something of himself—the same Sun forces, the forces of the Christ, are also working in many different ways in certain plants upon the Earth, and in other earthly beings and earthly creatures. Here they represent medicaments and means of healing. But mankind in general has lost this connection with the Sun. While the consciousness that man depends upon the Moon forces—the Divine Father forces—remained for a long time, the consciousness of his dependence on (or as we should rather say, his liberation by) the Sun forces was lost. What we today call the forces of Nature—the forces of which we speak almost exclusively in our modern world-conception—are indeed simply and solely the Moon forces, which have become abstract and all-powerful. But the Sun forces were still known to the bearer of the Christ, Jesus of Nazareth, who not only knew them, but was able to direct his whole life by them. Indeed He had to know them; for the same Sun forces which had been attainable only in the ancient Mysteries by human beings looking upward to the Sun—this in their own down-pouring to the Earth, He was destined to receive into His own Body. I described it yesterday. At the time of the founding of Christianity this was felt to be the essential point.—In the body of Jesus of Nazareth, in the thirtieth year of his life, a transformation had taken place. It was the same transformation which all human beings had undergone in primeval times, but with this difference: that in those olden times the rays of the spiritual Sun had entered into all men at this point in their life. Now the essence and Being of the Sun Himself—the Christ—descended into human evolution and took up His abode in the body of Jesus of Nazareth. This is the truth underlying the Mystery of Golgotha, as the primal foundation of all earthly life. We shall recognise the full connection of these things by turning our attention now to the ancient Mysteries and the way in which men there celebrated the Easter Festival in its full human form, by which I mean the Act of initiation. For Initiation was in truth an Easter Festival. It took place, to begin with, in three stages. But before the candidate could attain true Knowledge or initiation, the first requirement was that through all that had come toward him out of the Mystery, he should have grown truly humble—so humble that no one today can have any real conception of such humility. True, the men of today think themselves very humble in respect of knowledge; but to anyone who can see through these things, they still appear possessed by the greatest arrogance. At the starting point of his Initiation, this above all had to come over the human being, that he no longer considered himself a human being at all, but said: “I must first become a human being.” Of course we cannot expect the man of today at a given moment in his life no longer to consider himself a human being. But in those times it was the very first requirement. The candidate must in all truth, not consider himself a human being. He must say to himself: Certainly I was a human being before I descended into an earthly body. In the pre-earthly existence I was a human being in soul and spirit. Then the soul and spirit entered into the physical body which it received from the mother—from the parents. The soul and spirit—I will not say ‘clothed itself’, for that would be a wrong expression—the soul and spirit permeated itself with the physical body. But as to how the soul and spirit in the course of time permeates the physical—permeates the nerves-and-senses system, permeates the rhythmic system, permeates the system of metabolism in the limbs—of this the human being has no consciousness. He looks outward through the senses and becomes aware of the surrounding physical world. But what after all can a man do when at last he has so far penetrated his physical body with the soul and spirit that he considers himself a fully evolved and grown-up human being? What can he do? He can but look outward from his eyes, hear outward through his ears, feel outward with his skin, perceiving warmth and cold, roughness and smoothness. He cannot perceive inward, he cannot look through the eyes into himself. At most he can flay the physical corpse of man, and then imagine he is looking into himself. But he is not really doing so. It would be childish to believe that he is. Suppose that I have a house before me here, and instead of looking in through the windows I pick up all manner of instruments and—if I am strong enough—break the house to pieces. There indeed I have the single bricks lying before me. I stare at the pile of bricks. This is what man does today. He flays the human being and dismembers him in the hope of knowing him. But he cannot; for it is not the human being that one learns to know in this way. If we would learn to know the human being, then even as we look outward through the eyes, so we must become able to look back again through the eyes, and to hear back again inward through the ears. All these things taken together—the eyes, the ears, the whole skin as an organ of touch, of warmth, the organ of smell, and so forth—all these together were called in the ancient Mysteries, the Gate or Portal to the human being. Indeed the starting-point of Initiation was this: Man came to realise that he knew nothing of the human being. Therefore, since he had no self-consciousness of man, he could not be one. He must first look inward through the senses, whereas in ordinary life he looked only outward. Such was the first stage of Initiation in the ancient Mysteries. Now the moment the man learned thus to look inward he also experienced himself in the pre-earthly life. For then he knew: I am in my own being of soul and spirit. We may draw it diagrammatically. Here is the head. Man looks outward. Now, instead, he learnt to look inward. But in thus looking inward he became aware of what had entered into him as the pre-earthly life and being, which had entered in through eye and ear and skin, etc. Of this he now became aware. Here it was that he possessed his pre-earthly existence. Moreover it became clear to him that only now could he learn to know what we today should call Natural Science. When we study Natural Science today, how do we set about it? We are led to see the things of Nature, to describe them and so forth. But this is just as though I had known a human being for a long time; now I am about to see him again, and someone lays on me the strict injunction: “When you see him again you must forget all you had in common with him; you must not remember anything at all of what you had in common with him before.” Think of it! It is inconceivable what it would mean to husbands and wives, for instance, if on some occasion when they are about to meet again, they were strictly commanded to forget all that they had undergone together in the past. I can conceive that in some cases this might sometimes be not unpleasant to them! Still, life could not subsist under such conditions. Yet this is what is required of the modern man with regard to Nature through the very ordering of present-day civilisation. For he already knew the kingdoms of Nature—he knew them in their spiritual aspect—before he descended to the Earth. The human being of today is led to forget all that he learned of minerals and plants and animals before his descent to Earth. The ancient Initiate, on the other hand, was thus instructed in what was called the first Degree within the Mysteries: “Behold the crystal quartz!” Thereupon everything was done to make him remember what he had known of the quartz before he came down to the Earth, or again what he had known of the lily or of the rose. Recognition was taught as knowledge of Nature. And when a man had learned this Nature—lore recognition of what he had seen before he came down to earthly life—then he was received into the second Degree. In the second Degree he learned Music; he learned the Architecture, the Geometry, the Mensuration of that time, and so forth. For what did the second Degree contain? It contained all that the human being perceives when he now no longer gazes into himself through the eyes, or hearkens inward through the ears, but when he actually enters into himself. At this stage it was said to the candidate: “Thou enterest the human Temple Grove”. He learned to know the Temple Grove of man—permeated physically by the forces of soul and spirit, of which man consisted before he descended into earthly life. Thus he entered into himself. And it was said to him: There are three chambers in this Temple Grove. The one was the chamber of Thinking. Seen from outside it is the head. It is but small, but when one sees it from within, it is great as the universe; one learns to know its spiritual nature. This was the first chamber. In the second chamber the candidate learned to know the life of Feeling, and in the third chamber the life of Willing. Moreover in discovering how man is organised in his organs of Thinking, Feeling and Willing, the candidates were learning to know what holds good on Earth. The knowledge of Nature holds good not only on the Earth. Man already acquires it before he descends to Earth. Here on Earth he is only called upon to recollect it. But houses are not built in the spiritual world as they are built with earthly architecture. Music is yonder, it is true, but that is spiritual melody. Whatever is earthly music has been cast downwards into the earthly air; it is a projection of the heavenly Music, but in the form in which man experiences it, it is earthly. Likewise all that we measure is earthly. We measure earthly space: Mensuration, Geometry, is an earthly science. This in fact was the important thing for the candidate for Initiation in the second Degree: he became aware that all talk of knowledge by mere earthly methods is vague and void, save in so far as it be related to Geometry, Architecture and Mensuration. He saw that a real science of Nature must be pre-earthly knowledge, remembered, recognised; and that the true sciences of Earth are Geometry, Architecture, Music and Mensuration. For these can be learned here on the Earth. Thus man descended into himself, and learned to know the three-chambered Man as against the single human incarnation which one perceives in ordinary life, when, without entering inside the human being, one merely knows him from outside. And in the third Degree man learned to know the human being when he no longer dives merely down into himself and knows himself as a spiritual being, but when this spiritual being learns to know the body itself. Hence in all ancient Mysteries the path one had to take was through the Gate of Death. One became aware what man is like when he has laid aside the earthly body. Only there was a difference between the real death and the death of Initiation. I shall explain in the following lectures why there must be this difference; now I will only state the facts. When man actually dies, he lays his physical body aside. He is no longer bound to it. He no longer follows the earthly forces, he is freed from them. But when he is still connected with the physical body—as was the case in the act of initiation in ancient times—then he must attain by dint of inner strength the freedom from the body which he has as a matter of course in real Death. That is to say, for a certain length of time, he must hold himself free. Hence for Initiation it was necessary to achieve the strong inner forces of the soul, whereby one could hold oneself in soul free from the physical body. And the same forces which gave man power to hold himself free from the earthly body, these same forces gave him the higher knowledge—knowledge of things which can never be seen by the senses nor conceived by the intellect. These forces transplant the human being into the spiritual world, just as his physical body transplants him into the physical world. At this stage the Initiate was able to know himself as soul-spiritual Man even during the earthly life. Henceforth, for the Initiate, the Earth was a Star—a Star external to the human being—while he himself (notably in the more ancient Mysteries) must live with the Sun instead of with the Earth. He knew now what man receives from the Sun. He knew how the Sun forces work within him. This then was the third Degree; and it was followed by the fourth, which worked upon the candidate somewhat as follows.—When a man eats on Earth, he knows he is eating cabbage, wild-fowl, and so forth, and drinking all manner of things. He knows: These things are now outside me, and now they are within me. He breathes the air. First it is outside him, then it is within, and then it is outside again. So he stands in connection with the earthly forces; he bears within himself the forces and substances which are otherwise outside him on the Earth. “Before thou art initiated”—thus it was explained to the candidate for Initiation in ancient times—“before thou art initiated thou art an Earth-bearer, a cabbage-bearer, bearer of wild fowl, of veal, and so forth. But when thou hast been initiated into the third Degree, and art given what can be given to thee when freed from the body, then thou will be not a cabbage-bearer, a pork-bearer, a veal-bearer, but a bearer of that which the Sun forces give thee.” Now in many of the Mysteries that which the Sun forces spiritually give to man was called Christos. Hence he who had passed beyond the three Degrees was called a Christopher, or Christophorus. For he felt himself henceforth bearer of the Sun forces (even as on Earth he might feel himself as a cabbage-bearer and the rest). In most of the ancient Mysteries Christophorus was the name for those who attained the fourth Degree. In the third Degree man had to understand certain things; above all he had to understand that for the moments of Knowledge the craving for the physical body must cease. He must perceive that while man in his physical body belongs to the Earth, yet in reality the Earth is only there to destroy the physical body, not to build it. Henceforth he learned to know the upbuilding forces, whose origin is in the Cosmos. But he learned something else besides when he became a Christophorus. Then above all he learned to know that spiritual forces are at work even in the substance of the Earth, only they are not visible to earthly sight. Speaking in modern words—though they spoke with the same meaning I can only tell you of these things in modern language, not in the words of that time—they explained to him: “If thou wouldst learn the science of substance—how the substances are combined and separated—thou must behold the spiritual forces which permeate the substance out of the Cosmos. Thou canst not know these things when thou art uninitiated. Thou must first be initiated into the fourth Degree and be able to see through the forces of the Sun-existence. Then thou canst study Chemistry.” Just imagine, if we today required of a man wishing to take his degree as a chemist or pharmacologist that he would first feel himself in relation to the forces of the Sun even as he feels himself in relation to the cabbage of the Earth. What madness this would seem! Yet these were the realities. It became fully clear to men: With all the forces that are living in the body and that we make use of for ordinary knowledge, we can study only Geometry, Mensuration, Music and Architecture. With these forces we cannot study Chemistry; and if we do study it, we shall be talking in superficialities. And so indeed it is. Since the time when the ancient Initiation Science was lost, all talk of Chemistry has been superficial. It drives anyone who is seeking for real knowledge to despair when he has to study the official Chemistry of today. For it rests only on external data, not on an inner penetration of things. If men only had an open mind they would say to themselves that something quite different is necessary. We must acquire a different mode of knowledge if we would truly study Chemistry. It is the present cowardice of knowledge which is instilled into the human being and prevents him from awakening to such an impulse. When man had attained this stage he was ripe to become an Astronomos, which was a still higher Degree. To learn to know the stars outwardly by calculation and the like, was considered altogether meaningless. In the stars, spiritual Beings live. They can be known only if one has overcome bodily vision, nay, if one has even overcome Geometry and can live within the Universe, thus learning to know the spiritual essence of the stars. At this stage man was truly resurrected. And now he could behold how the Moon forces and the Sun forces work, even into the earthly man. I have had to bring these things near to you from two sides today. In the ancient Mysteries—not at a certain season of the year but at a certain Degree in a higher development of man—Easter took place as an inner experience: Easter as the Resurrection of the man of soul and spirit, out of the physical body into the spiritual Universe. And in this way those who still had knowledge of the Mysteries at that time looked up to the Mystery of Golgotha. They said to themselves: What would have become of mankind if the Mystery of Golgotha had not taken place? In bygone ages there was the possibility of being initiated into the secrets of the Cosmos. For in very ancient times man had experienced as a matter of course his second birth, about the thirtieth year of his life; and in subsequent times there still remained at least the memories of this; there was a science of the Mysteries, preserving in tradition what had actually been experienced in former times. But in the age when the Mystery of Golgotha took place, all these things had been wafted away and forgotten. Mankind would have fallen into utter decadence had not the Power to whom the Initiates in the Mysteries ascended when they became Christophorus, descended into Jesus of Nazareth to be present henceforward on the Earth; so that man might henceforward be united with this Power through Christ Jesus. Thus what appears before our eyes in the Easter Festival today is connected with a certain chapter in the historic evolution of the Mysteries. Truly we only become aware of the content of the Easter Festival when we call this ancient sacred history to life again. These things will be the subject of our further study. But you will now at any rate be able to draw near to what the candidate for Initiation in ancient times experienced. He could say to himself: Through my Initiation I have come to understand how the Sun and Moon work within me in their mutual and heavenly relationships. For now I know that I, as physical man, am shaped and formed in such and such a way; that I have such and such eyes and nose and other bodily forms both inwardly and outwardly throughout my body; that this bodily form could grow, and grows to this day in the process of nutrition—all this is dependent on the Moon forces. All that is Necessity depends on them. But that I can live and move as a free inner Being within my bodily nature—that I can transform myself, that I have myself in hand—this depends on the Sun forces, the forces of the Christ. These are the forces I must kindle in my inner being if I would mould with conscious knowledge, and attain by my own inner work, what the Sun forces would otherwise have to do within me, once more by a kind of Necessity. In this way we shall also understand why man even today looks upward to the Sun and Moon and determines from their mutual constellation the time of the Easter Festival. For this alone has still remained. We calculate when is the first Sunday after the first full Moon after the Spring Equinox. The Easter Festival of the year is fixed for the Sunday following the first full Moon, indicating (as I shall explain in greater detail tomorrow) that we recognise in the form and structure of the Easter Festival something that must be determined from above, out of the Cosmos. But the Easter thought must be regained. And it can only be regained by looking back to the ancient Mysteries, where the human being was made aware how it is when he looks within himself and beholds—the Gate of Man! And when he actually enters into himself—the Three-chambered inner Man! And when he makes himself free—the Gate of Death! When he lives and moves freely in the spiritual world, he becomes a Christophorus. The Mysteries themselves receded in the age when the free development of man had to take place. But now the time is come when they must be found again. Of this, my dear friends, we must be fully conscious. Institutions must be created today to find the Mysteries once more. Out of this consciousness we held our Christmas Foundation Meeting. For it is an urgent necessity that there should be a place on Earth where the Mysteries can once more be founded. The Anthroposophical Society in its further progress must become the path to the Mysteries renewed. This will also be our task: out of a right and true consciousness to cooperate towards this end. And to this end the life of man will have to be considered according to the three stages: the stage where we turn our gaze into the human being; the stage where we strive to enter right within him; and the stage where we become, in consciousness, what in the outer reality we become only in Death. Let us then take away with us these words as a solemn remembrance of this lesson which we have held today, and let us make them active in our souls: Stand in the porch at Man's life-entrance, Read thereon the World's writ sentence, Dwell in the soul of Man within, Feel in its pulsing, Worlds begin. In ordinary life we do not see the World's Beginning, but only this or that within the World. Think upon Man's earthly ending. Find therein the Spirit's wending. Let this then, be the extract from today's lesson: Stand in the porch of Man's life-entrance, Read thereon the World's writ sentence. Dwell in the soul of Man within, Feel, in its pulsing, Worlds begin. Think upon Man's earthly ending, Find therein the Spirit's wending. |
| 288. The Building at Dornach: Lecture II
24 Jan 1920, Dornach Translator Unknown |
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| It is when I see again and again that people so love sleep even here in the Anthroposophical Society. They would like to pour out rest over everything and this is really the satisfaction of a selfish desire for sleep. |
| I have already said that you can see from all that with which we have been dealing how far this building represents that for which our anthroposophical ideas stand, and how every detail is born out of the way in which we look at the universe. If that could be brought into the world in the same thoroughness, we should have achieved something. |
| This systematic campaign will continue. I know there are many people in our Society who will not believe how low is the condition of morality in the world to-day, but it is necessary that we should not blind ourselves to these things. |
| 288. The Building at Dornach: Lecture II
24 Jan 1920, Dornach Translator Unknown |
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[ 1 ] Yesterday we considered the Building from the outside, from different aspects. To-day we will approach it from the inside and will try to bring before our mind the idea of the inside architecture. This idea of the inside architecture might be described something in this way. When one approaches the Building as it appears at present from the outside, the idea called up through the impression that one gets, is, that here is an enclosure that in a way is cut off from the rest of the world, and containing an idea in itself which has to be introduced into the present evolution of humanity; something that has a new element to be brought into the evolution of humanity. The outward forms point to this something that is new in the contemplation of the universe. They aim at a new style. If the Goetheanum had been built in the old style of architecture, it would not have been possible to receive this particular impression that I have to emphasise. This inner architecture is now to be shown in contrast to the outer.  [ 2 ] When we come from the terrace through the main entrance and step into the first Hall, turn round and then towards the West side, we see this picture. We have before our view that which shuts off the space above, the first two pillars to the left and the right. As we go a step further we see here the capital of the first column to the right and left, and above that the architrave. If you will notice that which is essential you will mark the progressive development in the configuration in the capitals of the columns as well as in the architrave over the capitals.  [ 3 ] Yesterday I told you that the chief thing about this Building is that everything is felt to be in its place by reason of an inner necessity, exactly as a limb of an organic body is felt to be in the place determined by an inner necessity of the organism. You can see that everything that is included within the Building is an attempt to express the idea which has inspired the Building, so that it does not appear as a habitation constructed with walls in which something arbitrary here and there is placed. No, everything included in the Building itself is in organic union with its spiritual idea, You can be sure when you look at the next picture (1A) that it is in vital in connection with the one that has gone before. This is the organ left (photographed as you see from the model) which will show that also here the organ is built in full harmony with the rest of the architecture, so that you have not the feeling that it has been added but that it is a part of the whole form, as if the organ had actually grown out of the architecture. That is the fundamental principle upon which the whole Building is carried out.  [ 4 ] In the next picture (31) you see the first pillar and I want to call your special attention to the way in which the motive of every pillar develops out of the one that has gone before in a living metamorphosis. In order to do this we must look at the next picture (32) where the second pillar develops out of the first and where also the architrave motive is transformed in a developing metamorphosis, every succeeding form springing after its own law from the form which precedes it. You see here how the second pillar develops itself out of the first—that is to say when you take the forms which reach up from below and those which reach down from above, and when you picture to yourself how each succeeding leaf of a plant issues through metamorphosis out of the foregoing leaf, then you will realise how the form of the second pillar develops out of the form of the first pillar. The whole of it is to be found in continuing metamorphosis.  [ 5 ] If you would really get an understanding of what is meant, then you will of course be wrong if you attach exaggerated importance to the nomenclature which as a matter of fact only—relates to exterior conditions. The first pillar has been called Saturn, the second pillar Sun and so forth. Well, that is conceivable and that nomenclature is from a certain standpoint justifiable. But to abide by such nomenclature would of course be most inartistic. The essential thing is the relation of the second pillar to the first and the first to the second pillar. The essential thing is the change from one form into another for it is just in this change from one form into the other that the laws of world order are to be found, and ordain the change from Saturn formation into the Sun formation. I do not mean to say that these pillars are symbolic of Saturn and Sun, I simply mean that the law of change from Saturn to Sun is an inward law whose workings can be seen. This inner law whose workings can be seen has been expressed here in the sequence of the form. We will now see the second pillar by itself.  In the next picture we show the second and third pillars together with their particular architraves.  [ 6 ] You see how in the first place the capitals are pictured in progressive metamorphosis and also how the architrave motif progresses, each form building itself up out, of the form that has gone before. Whenever you see a curve or a turn you must realise that this is not to be considered only as regards its own form but always in relation with the form that has gone before and that which is to come after. Through the entire development here neither a capital nor an architrave motif can be understood by itself. They exist as a sequence. They exist in their relationship one to the other. That is what we chew here. That is the truth which expresses the life element. Now we shall see the third pillar by itself.  [ 7 ] Now then, we will see the third and fourth pillars together with their architraves. We shall see as we continue that things become more and more complicated. That is in accordance with the nature of evolution. Evolution proceeds from the simple forms to the more complicated. You see here that the fourth motif is really very complicated in relation to the one that has gone before and especially the architrave motif is becoming more and more complicated. We will now see the fourth pillar by itself.  [ 8 ] As I have said before this pillar and this motif must be seen in their relation to all the rest. That is the essential thing in all the ideas expressed in this Building. Whereas elsewhere one finds repetition, here one has a progressive evolution. This is really the essential new element that has been brought into the idea of this Building. Whereas elsewhere the dynamics of Geometry are put before us in repetition so that like balances like here one is concerned with the growth of the one out of the other. Look at them again - this pillar and the following one—together with their own architraves. Here we see how the moss complicated motif will be found in the capital of the 5th pillar and how the architrave motif becomes extremely complicated as it develops from the simple form which was there at the beginning to these very complicated forms. We will now look at the 5th capital by itself.  [ 9 ] Perhaps the form of this capital suggests to you the staff of Mercury wound about with snakes but you must not regard it as though it stood by itself - you must look at it as though it were veritably a living metamorphosis from that which precedes it—as a composition that has not come into being as an isolated idea. You will see if you once again change this form according to law and also according to the principle of progressive change the next form will develop out of this one. We will now see this with the next once more and the contents of its capital. [ 10 ] You have only to notice how certain lines which wind themselves about this Mercury motifs branch out from one another, how the Mercury motif with its small top and its points directed downwards appears to be growing larger, and notice how that which you see there at the edge grows to meet what is underneath it and is united with the Mercury motif. Then you will understand how forms which are in living movement grow through and grow out of each other, and that the succeeding motive is developed from that which has gone before. [ 11 ] But I must draw your attention to one thing. Just now when we have passed the middle point and we look at the next motive and compare it with the one that has gone before you might be inclined to say that this is more simple than the previous one. This is a point which must be quite clearly stated. If you follow the idea merely intellectually it may seem to you as if evolution consists in the fact that beginning from the most simple forms it proceeds to more and more complicated forms so that the last form will be a perfection of complexity. That is however not the case. A wholly false idea of evolution has come into being in modern times owing to this mistake. It is just when we follow the idea of evolution in Art asp I had to do in order to model these capitals and architraves one from another that VT identify ourselves with the real principle of evolution in nature and indeed in the world. You have then to model things after the pattern of evolution in the world and in nature, then you get an inner vision of what evolution really is. The marvellous and significant thing is that this trend at first is towards the more complicated forms but just about at the centre, just when you have what is most complicated, this trend is reversed. and turns again towards the simple. Thus it has been shown in an artistic manner out of its own nature that when the most complicated stage has been achieved there come; a return to the simple and the complicated has to appear again in its most simple manifestations [ 12 ] I should like very specially to explain to you this principle of evolution. Granted we had to follow the course of evolution through any form of metamorphosis we should say this here is a simple form (see drawing 1st form) Now we go a little further and see how a subsequent form can grow out of this one. Now let us understand how the following form grows out of this one. Here we have an illustration of the complicated which has grown out of the simple (the second form).  [ 13 ] The next still more complicated form could be moulded in this way (see 3rd form). Now you have the third form having grown out of the previous one. Follow the development further so that it becomes apparent to you what is organic and growing and in this way you will feel yourself forced from a certain point onward. Through this relationship (or connection) in which you come with the living principle of evolution you feel yourself forced onward to mould not something apparently more complicated but something like this (see drawing 4th form and the next you would feel obliged to mould in this way (see 3th form); that is if you are really immersed in that which in nature is the origin of the principle of evolution and the power of evolution. Then you would get a development which is really modelled from nature—that is, from the simple to the complicated, then again to the simple. [ 14 ] But this simple form which one now achieves has a certain quality It is indeed apparently simple but if you compare this simple form with the simplicity of the first form you will say to yourself “here is a simple roughly drawn line” (referring to the first one) “but here is a change” and one has the feeling that one can see in it what has gone before so that in a certain sense what has gone before is actually included in it and so you feel that out of the complicated comes the simple, in so far as this simple form builds itself up on a mysteriously complicated element (see the red line). So that the later evolution develops its simplicity out of the complicated. [ 15 ] It is marvellous how if one traces evolution through Art we identify ourselves with what evolution really is in nature. You see how we are led in this way to something that I have often pointed out If we follow the principles of evolution merely intellectually, then it is easy to believe that humanity is the most perfect result in the development of the organic creation and that it is also the most complicated. This is not true. If we contemplate a human organ—say the eye—we find that the human eye as seen from outside is certainly not the most complicated eye. The eyes of certain lower organisms are much more complicated. They grow organs like the sword appendix; the fan of lower organic beings which if; like the continuation of the blood vessels in the eye. In man these organs have apparently entirely disappeared and the human eye has returned to a simpler form, but simpler according to the principle of that which I have here shown in Art. [ 16 ] Now as I have said, if one contemplates this simplicity which develops out of the complicated—one has the feeling that this. line has to be completed in thought (dotted line). Simplicity is created from concealed complexity. Simplicity is what is seen outwardly, that is actually to in nature. Man has no appendix in the eye, and apparently no fan but if one could add to the physical eye the etheric, then there should be added that which in the lower organic beings is developed physically. Just in the same way as (see drawing) I had to add, the dotted line here, just as I had to build up that which is externally visible on the foundation of this by the dotted line, so the human eye in its simplicity, in its physical; simplicity is formed out of a complicated etheric eye-formation: the apparently simple physical out of the complicated etheric. [ 17 ] This is a proof to you that when we really grow into the inner form in the way that the metamorphosis of forms demands, we grow into the creative principle of nature herself. For then we understand for the first time how evolution progresses in nature, and here, dear friend; you can see how necessary it is in order to understand a certain inward power of development that we must learn to know nature not only in intellectual ideas but to grasp her forms with the imagination of the artist. This is the thing that you must realise as most important in every sense of the word. If one is to try in the way that science till now has done to get at nature with ideas and conceptions of an intellectual kind one will never grasp nature in her fullness of evolution. One will, only grasp nature in her fullness of evolution when one has built up in pictures and in imaginations what are otherwise intellectual ideas and so-called natural laws, for nature creates not in intellectual ideas but in pictures and in imaginations. [ 18 ] This is the main impression produced by our Building that it indicates to what kind, of representation we must progress if we would come to a satisfactory view of the world especially, in relation to the social future of mankind. The old world beliefs were developed from imaginations. You know the root of world beliefs is not to be found in intellectual ideas hut in pictures, in legends, in myths, and through pictures and images man sought to understand the forces which work in human life. And pictures and images were transformed into social impulses. All that originally came from the old pictures is to-day in a process of transformation and has to-day changed into intellectual conceptions; and intellectual conceptions cannot suffice for life. From this comes the present conception of the world with its dead element, with its destructive element containing within it the seed of death. And the conceptions of the world which appear new and young make nothing but sentimental and vogue claims. [ 19 ] Nothing fruitful for the future can develop out of that which today appears in the form of social ideas. Anything fruitful for the future must be born out of an imaginative conception of the forces of growth. These must ever be comprehended in their actual inner reality by means of such simple forms. In this Building the principle that lives and works creatively in nature can be realised from within. It will be seen then from the moulding of isolated forms that so far as this Building is concerned you have before you that which you really need in order to build up a vies of the world and a social life for the future. [ 20 ] It was of course a drawback that in the beginning the sectarian feelings of a great many people have given a false meaning to that which this building is meant to express, through over much symbolizing; and there have been people who consider it highly important that we should any that this is the Venus column, that the Saturn etc. These things that have a mystical flavour with which the mind can act a pretty play had to come to an end. In our time the task-of humanity is really something quite different from a mystical playing with ideas. And the main thing is that we deal with the clearest conceptions, and act with fullest consciousness—that is with that which transcends everyday consciousness—what I may call the super-consciousness, but which never descends to sub-consciousness. We must overcome all that pertains to day-dreaming, we must overcome all false and deadening mysticism. For higher than this mysticism, my dear friends, stands the everyday consciousness. For example while a raster Eckhardt or a John Tauler were in harmony with their particular time, to-day anyone who turned to this same consciousness which John Tauler or raster Eckhardt had would be entirely out of place in our world order. For the task of to-day is to get further, to awaken, not to go to sleep. There is much too pronounced an attitude among men for the pseudo-mystical, even among those who believe that they are on a better path But they only believe it. But there is still much too much of the idea that if we want to attain to spiritual truth, we can go to sleep a bit, we can dream a little, one can be a sentimental mystic. That is what is most injurious to the culture of our time. Instead of sinking from every-day consciousness into dreams we cannot sufficiently strive to climb out of the everyday consciousness to the more clear, to the super-consciousness. [ 21 ] For this reason this Building precisely through its artistic side had to make certain claims. Men to-day when they are confronted with Art tend to become a little dreamy and where possible avoid thinking, which is so very exhausting, when we are following our everyday concerns, cooking or tending machines or planning architecture or anything of the kind, and we think we will rest a little when we are enjoying Art; we think we can sleep a little. This Building is not for that kind of sleeping consciousness. People with this kind of sleeping consciousness come into this Building and they say “we do not understand this.” We understand it in the moment we follow with the eye every turn, every curve—where we with the eye of the soul follow the physical eye—where we do not concern ourselves with all the rubbish about names, Saturn or or Sun, Mercury pillar etc.—where we follow the forms and see how one grows out of the other, how everything lives and interweaves, when we leave our false mysticism behind and really exert ourselves to follow these forms. [ 22 ] We see that everything is not calculated to induce sleep but is for the purpose of awakening, for a shaking-up and not less for a becoming more aware than in ordinary life. This is the thing for instance, which pains me most. It is when I see again and again that people so love sleep even here in the Anthroposophical Society. They would like to pour out rest over everything and this is really the satisfaction of a selfish desire for sleep. Well, here the thing with which we are concerned is to become wider awake than we are in ordinary life. This Building can only be perceived in its Art form - in its inner artistic mobility when as we enter it we allow ourselves to be profoundly stirred and become more awake and aware than we are in everyday conditions. In ordinary life we sleep a great deal to-day, and it is from this sleep that our principle misfortunes come. [ 23 ] That is why every single form must be conceived actively. We must be able to set ourselves inside these forms and this Building is a living protest against all morbid mysticism. The worst of it is that even from well-intentioned people a certain mystical fog has spread itself around this Building through gossip and chatter, so that other people are able to repeat it: If only we could deal with the objections of our enemies with the reply that those who love this Building are concerned with supremely active life' But we must have a desire for this supremely active life. [ 24 ] We must seek here not soul-spiritual indulgence but soul-spiritual activity. We must grow and not let ourselves be lulled in dreams. This is the thing which I specially wish to say with regard to this Building. If with the whole soul we actively identify ourselves with the living movement, with every single form which has been built into the whole, then we shall see that while this Building gives the impression from the outside, “here within is something which wants to reveal itself to the world,” in the moment when we enter it the forms will so work that the walls themselves in a certain sense will disappear. That is a new thing, viz, the way in which walls have been conceived in regard to this Building. Up to the present time, walls have always been built in such a way that they form an enclosure. The Art principle in these walls is that they roll themselves up so that we have the feeling the walls do not enclose us, the pillars do not stand there in order to define a limit. But the thing that is expressed in the pillars, the thing that is expressed in the walls break through the walls and leads us into living touch with the whole universe. The Building is shaped out of the universe. Just as the world itself in its living interweaving life, in its spheric harmony, so is this building intended. That is the thing we aspire to in our eurhythmics. Not to allow that kind of sleep to enter into our eurhythmic forms but that a greater awareness shall take place in the action of eurhythmics than takes place in ordinary life, which we never could express in ordinary life. The performer of Eurhythmics should not be overcome in the struggle he has to wage continually against sleepiness in life. [ 25 ] We will now continue further with the pictures. This is then the pillar by itself in which you can see how when man comes to this perfection he comes outwardly to the perfection of simplicity.  [ 26 ] Now here you see the last two pillars with their architraves. Everything has become simple although it has arrived at perfection. You see the marvellous thing about this is that through the harmony between nature and creative Art other harmonies now manifest themselves that have not been noticed before. If you take the capital of the first pillar you can place that which was convex into the concave form of the last pillar and vice versa. This was not intentional. This is something which has been born out of itself. The convexity of the first Pillar fit into the concavity of the seventh. The convexity of the third pillar in the concavity of the fifth, and the centre pillar with its capital stands quite independently alone. These are things which are born, just as in nature certain realities are born in progressive metamorphosis which do not need to be foreseen at all but seem like a kind of crux of the experiment which one discovers only at last when one has been creating in the same way as nature herself creates. Here you see also the most perfect, and apparently also the most simple pillar of all.  [ 27 ] We will now let the seven pillars follow one after another so that we can see how one forms. as a metamorphosis emerges out of the other form—from the simple, the imperfect to the most complicated middle one, then back again to the most simple and the most perfect. [ 28 ] The first pillar. You have only to imagine the principle of growth transforming this pillar and you will get the next, the second pillar, then the third, the fourth, the fifth, the sixth and then the last.  [ 29 ] Now for the next picture. Here you see the last pillar and the point where the great cupola impinges upon the small cupola. So that you have a glimpse here of the meeting point of the two cupolas, where the architrave of the big cupola impinges upon the architrave of the small cupola, only separated by the aperture in which.the curtain will drop. The little cupola is supported in the same way with pillars and architraves of which I can show you only a little. We have not been able to get good photographs of the others, but this juncture we shall see again in the next picture. We see here another aspect of this juncture where one cupola impinges on the other.  Here we have another aspect of the pillars and architraves of the little cupola. And now you will see a bit of that part which represents an architrave space to the East in the middle of the small cupola.  [ 30 ] You see a bit of what is in the middle; beneath that will be the sculptured group of the Representative of Humanity with Ahriman and Lucifer in the vicinity. Above is the picture of the same.  [ 31 ] When you observe carefully this bit in the small cupola of which only a small portion is shown, you will see that in the forms of this architrave is included—as in a synthesis—everything that is shown in forms on the capitals and the architraves of the small cupola. This is here a comprehensive expression of all that has been expressed in the capitals and architraves of the small cupola. Here is to be found everything repeated again—of course transformed to accord with the place in which it is found. You will find when you compare that which confronts you in the form of the sculptural group showing the Representative of Humanity, Lucifer and Ahriman with all the different curves and forms and surfaces which are found on the capitals and architraves, contains in itself the whole Building in a certain sense. So that this sculptured central group might be conceived of as the synthetic epitome of the whole Building. Just as for example the human head is a repetition of all the rest of the organism, or, if you like it better, the human larynx and its neighbouring organs is an organic repetition of the whole man. Only that everything is put together in its own place out of an inner organic necessity. In the same way this Building must be grasped as a whole for the parts do not exist alone but each must be considered as a part of the whole. [ 32 ] I want to draw your attention to the way in which this idea with regard to walls is apparent in a still more material way in the glass windows, the reproductions of which I cannot show you here. The glass windows are only works of art when the light of the sun is shining through them. At other times they are only like a musical score. Thus you will see that. these glass windows (about which I shall speak more fully later on but which I cannot show you now) are in themselves an evidence that the building does not stand as a thing by itself but that the light of the sun is imagined as unity with it. And now in the same way everything connected with the form of this Building is imagined as being in unity with the creative powers of the whole universe The Building itself may be likened to a bit of the whole universe. [ 33 ] The next picture. This gives you the portal of our glass house underneath. You can observe once more how the effect has been made in everything which belongs to the Building to express in every form of truth that I have again and again pointed out. This glass house (and I have called it a glass house because it was originally built in order that the glass windows might be fashioned there) has also two cupolas. It is indeed a metamorphosis of the great cupola of the main Building. You have to imagine that the two cupolas of equal size are pulled apart, for you could not unite two equally large cupolas in the same way as you can unite a large one and a small one. It would he against the laws of nature. In order to bring the cupolas together as they are brought together in the main building they must be made of different sizes, the one large and the other small. If they are the same size they must be drawn apart and everything else must be adapted in the same way. You will see in the formation of the steps, how, in every case each individual line in its own place is the outcome of a law of necessity, and how a part is in every case an expression of the whole.  [ 34 ] Now here you,see that which is to many people a monstrosity. It is the. house which is to contain the apparatus for the lighting and heating. If you were to ask me upon what principle this building is designed, I can only say it is fashioned in accordance with the creative principle of nature. It is formed in a way which, as you will see if you look into it, may be compared, for instance, with the way in which the nut shell correspond: to the kernel of the nut. It is true, is it not, that the kernel of the nut has a certain form? The shell of the nut fits itself exactly to the kernel of the nut. The shell cannot be different so long as the kernel has a determinate form which is the effect of quite a different cause. In designing such a building as we have here we have to consider carefully every detail it contains. What purpose does everything serve that is contained herein? For this is a building whose purpose is pure utility. One has to get a conception of what is here contained and of what purpose it serves—that is the nut. Afterwards one has to consider how to build the corresponding shell of this nut. To the “nut” itself belongs the smoke which escapes, this building is only complete when the smoke is rising. It is only a work of art if this chimney really fulfils its purpose. Then only will one see the necessity of these projections. We shall not look at theM as they were leaves of a plane or anything of that sort, but we shall feel ourselves into the shape and then we experience how this shrine is bound by an inner law of necessity to the crake. As the smoke is linked in organic connection with the building and also that which is happening inside the building, so in the same way we shall realise these globes. Imagine what would be there if we had not attempted to create this form. [ 35 ]I will of course admit that we shall be able to carry out these ideas in a more complete way, but a beginning must be made and everything that follows can become more and more perfect. The beginning must be made, first, to demonstrate that a building which is designed for utility must follow some such inner creative principles. Secondly, it must be built with regard to the adaptability of the most modern material: concrete. For every material demands its definite laws of building. When we build in a certain material we have to observe certain quite definite principles, that are bound up with the very nature of the material. The conception of building must give expression to the idea of utility and also to the demands of the particular material. [ 36 ] You see it is not to be wondered at that these things which are all more or less new are repudiated by many people. Those who are not familiar with these ideas will not easily follow what I mean. But it becomes easier and easier as time goes on. Every idea that has come into the world in this way has experienced at the outset strongest opposition. But we must always take into account that it is exactly with regard to the things that are at present working that we must not sleep. It is also necessary that we make a certain energetic stand for the essential. We shall not succeed for a long time to come with out the energetic stand even if there are only few people who can follow the things with really inner understanding, for you see how things are. We shall take the opportunity tomorrow when we are speaking of the paintings in the cupola, to speak more of many things about, around and in the Building. I have already said that you can see from all that with which we have been dealing how far this building represents that for which our anthroposophical ideas stand, and how every detail is born out of the way in which we look at the universe. If that could be brought into the world in the same thoroughness, we should have achieved something. For you see my dear friends, it is impossible for us to succeed to-day with these conceptions with which in past years we thought we should be successful. [ 37 ] I gave you an example a week ago of the unsavoury lying methods which are being used. Why do they use such lying methods? I assure you that this is only the beginning of opposition. There is going to be lying on a much bigger scale. But I can show you how these lies are being systematically spread and the very lies that people are spreading, themselves, they use as further evidence. This systematic campaign will continue. I know there are many people in our Society who will not believe how low is the condition of morality in the world to-day, but it is necessary that we should not blind ourselves to these things. [ 38 ] But we must realise two things. First the intensity of the campaign comes from the fact that people feel, here is reality, they will not let it evolve. If it was a matter of programmes, as has been so much the case in the past, the people would not take so much trouble to slander us. But people will take the trouble to slander what is born of real force. For because they feel that they are face to face with the future they will slander and they will lie. But it is not a matter of convincing liars of the truth; they will not be convinced; they do not want to hear the truth. The thing is to go to the people who are not yet lying and put things before them in the right way. Those who think that they can counter with arguments and proofs that which the Catholic Church is now spreading abroad against us do us very bad service. For to those who are spreading these slanders it is not a question of this or that truth—it is a question of turning minds against us. And if we were confront them with the truth it would be a matter of complete indifference to them, they would only lie the more. But we have to see through it, dear friends, and then adjust ourselves to the position. It is not a question of convincing those who lie but it is a question of showing to the world that is still uncorrupted, in what way these slanders and falsehoods are spread. [ 39 ] I am more and more astonished (and I have to repeat this very often) that:the pernicious tendency shows itself even within our own Society to occupy ourselves with those who slander and lie and to endeavour to meet them directly, while our real task is to explain to the world what kind of human beings these people are. If we are not able to see right through this thing, dear friends, we shall not get very far because it is incumbent upon us, especially those who live here in the vicinity of this building to become objective and to develop interest in the great objective universe, holding ourselves above cliques and personal feelings, and all these commonplace puerilities. If we cannot become objective in relation to this building and what it stands for, then the movement will really not be able to get very far forward. We must subdue the purely personal; we must be able to put ourselves into the big interests of the world. And in everyone of its particular forms this building is a demand upon us that we shall escape from the, narrow personal points of view and rise to the great interests of the world. [ 40 ] For every single form as a matter of fact expresses what is necessary to humanity for the future. Look at the abuse which is all around in the world. Do you find anything really pertinent to our cause? It is because people cannot find anything against our cause that they become personal. It is for this reason that they try to bring about the destruction of the ideas of this Movement by personal slander. It would be a sad thing if we were not able to look at these things properly and become aware of the things that are going on around us. [ 41 ] To-morrow we will consider the pictures in the Cupola. |